prose fiction
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Introducing
DECEPTIVE MOTIVES
An ebook novel by John O’Loughlin
Which can be previewed via the link
below the following Centretruths editorial:-
With an opening
chapter that highlights the duplicity of a husband towards his wife, this novel
builds on the marital dissatisfactions and grudges of its principal heroine,
Julie Foster, and couples them to the literary and social dissatisfactions,
grudges, etc., of one Peter Morrison, an unpublished and seemingly
unpublishable writer, as the two characters bump into each other in the company
of a third person in a restaurant, after many years, and Julie agrees to
accompany Morrison back to his squalid flat where, contrary to her
expectations, he simply proceeds to expatiate on his political and
philosophical views, and to disburden himself of a number of anti-social
grudges. He does, however, invite her to
visit him again and, to his surprise, she accepts the invitation and turns up a
couple of days later. This time they get
down to some serious sexual congress but, in the process, Julie impulsively
reveals that she is married and Morrison, aghast at her deception, loses his
temper and proceeds to strangle her. Overcome
with remorse, he attempts to mollify Julie, now a corpse, by taking photographs
of her in a variety of erotic poses, and is then faced with the unsavoury task
of disposing of her body. However, an
old friend of Julie's becomes suspicious by her failure to turn up at a
pre-arranged rendezvous and, aware from a prior phone conversation that Julie
was intending to visit Morrison, she begins to make inquiries about him from
what little information she already has.
Eventually she tracks him down to his latest address and, mindful of the
fact that he once had amorous leanings towards her, duly falls into a frantic
sexual coupling with him. Things are
looking good for Peter at this point but, whilst he is out of the room, Deirdre
accidentally discovers photographic evidence of Julie's murder and proceeds to
accost him with it on his return. Unable
to calm her down or explain away the evidence, he is obliged to kill her too,
thus saddling himself with the problem of disposing of yet another corpse! Subsequently he moves to
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