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It seems that John O’Loughlin adds ten poems to each new volume of poetry he writes; for this collection has some fifty-four poems, dating from 1985, which carry on, both stylistically and thematically, from approximately where those in The Modern Death (1984) leave off, with, if anything, a slightly deeper metaphysical and ideological bias. The title derives, as usual, from one of his poems, and has to be read to be believed! - A Centretruths editorial.

Trees