CYCLE 34
1.�� STELLAR CONTRAST.� To contrast the Clear Light of the Void with
the Clear Fire of the Void ... as one would contrast Hinduism with Buddhism or
2.�� SOLAR CONTRAST.� Conversely, to contrast the Clear Fire of
Time with the Clear Light of Time ... as one would contrast Satanism with
Judaism or Satan with Jehovah - the latter merely the light-aside of the
former.
3.�� STELLAR/SOLAR COINS.� No less than
4.�� IDEALIST/NATURALIST DISTINCTIONS.� A modern equivalent of the above 'coins', or
dichotomies, would be Fascism (light-primal) and Nazism (heat-secondary) with
regard to idealism, but Communism (heat-primal) and Bolshevism
(light-secondary) with regard to naturalism, the cultural parallel having less
to do with visions and dreams than with photos and films, photos being no less
idealistic than films are naturalistic.
5.�� FILM NATURALISM VIS-�-VIS PHOTOGRAPHIC
IDEALISM.� Film actors/producers are all
somehow communistic in their naturalist stance before life, a stance no less
contrary to the idealism of photography than the Judaic/Satanic essence of
dream naturalism could be regarded as being contrary to the visionary idealism
of Hinduism/Buddhism.