REGARDING …

 

John O’Loughlin & Centretruths Digital Media on Tripod.com

 

Regarding CENTRETRUTHS DIGITAL MEDIA

 

Regarding THE TRIUMPH OF BEING

 

Regarding THE RADICAL PROGRESS QUARTET

 

Regarding Thomas Mann's DEATH IN VENICE

 

Regarding Hermann Hesse's STEPPENWOLF

 

Regarding PHILOSOPHICAL TRUTH

 

Regarding A VISIT TO HELL

 

Regarding THE FREE TESTAMENT

 

Regarding Lawrence Durrell's ALEXANDRIA QUARTET

 

Regarding THE KINGDOM OF THE SOUL

 

Regarding FATHER OMEGA'S LAST TESTAMENT

 

Regarding FALSE PRETENCES

 

Regarding A TRILOGY TRANSCENDENT

 

Regarding Hermann Hesse's GLASS BEAD GAME

 

Regarding PATHWAYS TO THE KINGDOM

 

Regarding Aldous Huxley's TIME MUST HAVE A STOP

 

Regarding John Cowper Powys's SUSPENDED JUDGEMENTS

 

Regarding THE VIRTUOUS CIRCLES

 

Regarding OPUS POSTSCRIPTUM

 

Regarding ETERNAL LIFE

 

Regarding Aldous Huxley's ISLAND

 

Regarding THE HIGH-WAY OF TRUTH

 

Regarding ETHNIC UNIVERSALITY

 

Regarding THE MODERN DEATH

 

Regarding THE MYTH OF EQUALITY

 

Regarding OPTI-MYSTIC PROJECTIONS

 

Regarding Aldous Huxley's POINT COUNTER POINT

 

Regarding THE WILL TO TRUTH

 

Regarding SOCIAL TRANSCENDENTALISM

 

Regarding TOTAL TRUTH

 

Regarding THE FATHER OMEGA SEXTET

 

Regarding POINT OMEGA POINT

 

Regarding Bertrand Russell's MYSTICISM AND LOGIC

 

Regarding LOPSIDED CONVERSATIONS

 

Regarding THE DIALECTICS OF CIVILIZATION

 

Regarding DEVIL AND GOD

 

Regarding Albert Camus's A HAPPY DEATH

 

Regarding Aldous Huxley's BRAVE NEW WORLD

 

Regarding Lawrence Durrell's REVOLT OF APHRODITE

 

Regarding ELEMENTAL AXES

 

Regarding ALPHA AND OMEGA

 

Regarding CELESTIAL CITY AND ANTI-VANITY FAIR

 

Regarding BRINGING THE JUDGEMENT

 

Regarding THE CLASSLESS SOLUTION

 

Regarding RADICAL PROGRESS

 

Regarding CROSS-PURPOSES & AN INTERVIEW REVIEWED

 

Regarding DREAM COMPROMISE

 

Regarding DOSSHOUSE BLUES

 

Regarding DAWN OF THE LIFE

 

Regarding Friedrich Nietzsche's BEYOND GOOD AND EVIL

 

Regarding Henry James's ASPERN PAPERS

 

Regarding A SELFISH MAN

 

Regarding R.H.S.Crossman's PLATO TODAY

 

Regarding Friedrich Nietzsche's TWILIGHT OF THE IDOLS

 

Regarding Jean-Paul Sartre's NAUSEA

 

Regarding Henry Miller's NEXUS

 

Regarding TWO SIDES OF THE SAME COIN

 

Regarding DECEPTIVE MOTIVES

 

Regarding THE VIRTUOUS CIRCLES QUARTET

 

Regarding STRESSING THE ESSENTIAL

 

Regarding ABSTRACTS

 

Regarding BETWEEN TRUTH AND ILLUSION

 

Regarding FROM MATERIALISM TO IDEALISM

 

Regarding THE PROMISE OF 'KINGDOM COME'

 

Regarding Friedrich Nietzsche's THUS SPOKE ZARATHUSTRA

 

Regarding Aldous Huxley's CROME YELLOW

 

Regarding ELEMENTAL SPECTRA

 

Regarding THE MAXIMUM TRUTH QUARTET

 

Regarding MICHAEL SAVAGE

 

Regarding LOGAN'S INFLUENCE

 

Regarding THWARTED AMBITIONS & SECRET EXCHANGES

 

Regarding REVOLUTIONS & REVELATIONS

 

Regarding SUBLIMATED RELATIONS

 

Regarding Aldous Huxley's AFTER MANY A SUMMER

 

Regarding Aldous Huxley's APE AND ESSENCE

 

Regarding Aldous Huxley's DOORS OF PERCEPTIONS & HEAVEN AND HELL

 

Regarding THE SOUL OF BEING

 

Regarding APOTHEOSIS OF THE GNOSIS

 

Regarding REVOLUTIONARY AFTERTHOUGHTS

 

Regarding THE IDEOLOGICAL PHILOSOPHY

 

Regarding CHANGING WORLDS & FIXED LIMITS

 

Regarding Peter Ackroyd's LAST TESTAMENT OF OSCAR WILDE

 

Regarding THE OMEGA QUARTET

 

Regarding MAGNUS DEI

 

Regarding LAST (W)RITES

 

Regarding James Joyce's ULYSSES

 

Regarding APOCALYPSO

 

Regarding Charles Baudelaire's INTIMATE JOURNALS

 

Regarding Henry Miller's TROPIC OF CANCER

 

Regarding Matthew J. Culligan and Peter Cherici's WANDERING IRISH IN EUROPE

 

Regarding FROM SATAN TO SATURN

 

Regarding Henry Miller's TROPIC OF CAPRICORN

 

Regarding PHILOSOPHICAL RUMINATIONS

 

Regarding EVOLUTION

 

Regarding FUTURE TRANSFORMATIONS

 

Regarding LINKS TO BLOGSPOT.COM WEBLOGS

 

Regarding JOHN O'LOUGHLIN'S WORDPRESS SPACE

 

 

All files Copyright 1973-2014 John O’Loughlin

 

AUTHOR SPOTLIGHT

John O'Loughlin eBooks from Lulu.com

 

WEBLOG SITES

joholin.blogspot.com

joholin2.blogspot.com

joholin3.blogspot.com

joholin3's YouTube channel

john04423.wordpress.com

centretruths.wordpress.com

johanvonlochlin.wordpress.com

 

TEXT LINKS

Centretruths - Journeys to the Centre of Truth

Centretruths eBook Catalogue

Centretruths Literature (poetry & prose) Catalogue

Centretruths Prose Catalogue

Centretruths eBook Shop

Centretruths eBooks on Tripod.com

John O'Loughlin's Collected Literary Transcripts

Centretruths Kindle eBooks Amazon.com

Centretruths Kindle eBooks Amazon.co.uk

Centretruths Kindle eBooks Amazon.de

Centretruths Kindle eBooks Amazon.fr

Centretruths Kindle eBooks Amazon.it

Centretruths Kindle eBooks Amazon.es

 

Centreprints - Collected Digital Paintings, Photos & Videos

Centrecomps - Collected Digital Music

Guestbook - Feel free to comment

Email: john-oloughlin@centretruths.co.uk

 

      

ABOUT THE AUTHOR

 

John O'Loughlin was born in Salthill, Galway City, the Republic of Ireland in 1952 of mixed Irish- and British-born parents of Irish descent. Following a parental split due to ethnic and other incompatibilities, he was taken back to England by his mother and maternal grandmother (who upon the premature death of her Aldershot-based husband had initially returned to Ireland with her daughter = John's mother-to-be - after a lengthy absence and with intent to stay) in the mid-50s and subsequently attended schools in Aldershot (Hants), Oakham (Rutland), and, following the death and repatriation of his Galway-born grandmother, Carshalton Beeches (Surrey), where, despite an enforced change of denomination from Catholic to Protestant in consequence of having been put into care by his mother, he attended a state school. Upon leaving in 1970 with an assortment of CSEs (Certificate of Secondary Education) and GCEs (General Certificate of Education), including history and music, he moved the comparatively short distance up to London and went on, via two short-lived jobs, to work at the Associated Board of the Royal Schools of Music in Bedford Square, where, after a period as a general clerk, he eventually became responsible as a clerical officer Gd.1 for booking ABRSM examination venues for the Board's examiners throughout Britain and Ireland. After a brief flirtation with further education at Redhill Technical College back in Surrey, he returned to his former job in the West End but quit the Associated Board in 1976 due to a combination of factors, including ill-health, and proceeded to dedicate himself to a literary vocation which, despite a brief spell as a computer and office-skills tutor at Hornsey YMCA in the late 1980s and early '90s, during which time he added some NVQs to his other qualifications, he has effectively continued with ever since. His novels include Changing Worlds (1976), Cross-Purposes (1979), Thwarted Ambitions (1980), Sublimated Relations (1981), and Deceptive Motives (1982). Since the mid-80s Mr O'Loughlin has increasingly dedicated himself to philosophy, his true literary vocation, and penned more than seventy titles of a philosophical nature, including The Will to Truth (1983), Devil and God (1985-6), Towards the Supernoumenon (1987), Elemental Spectra (1988-9), Philosophical Truth (1991-2), Maximum Truth (1993), Eternal Life (1995), The Soul of Being (1998), Point Omega Point (2002), Total Truth (2002), and, more recently, The Centre of Truth (2009). In addition to his long-standing commitment to literature, John O'Loughlin has also found time to indulge in abstract digital art and electronic music composition, principally with a view to illustrating or exemplifying his philosophy and therefore as an adjunct to his oeuvre proper. Although not perfect, these paintings and music compositions considerably enlarge the scope of his creativity and confirm a multimedia bias commensurate with his - and indeed the accepted - concept of the 'universal man', the godly individual whose creative abilities and predilections transcend any given form in what becomes a convergence towards an omega point of cultural universality. The internet would seem to be the ideal setting for such multimedia projects, confirming the justification of Centretruths regarding itself as a kind of multimedia platform for the launch of a variety of genres, including digital photography and video, that either reflect a metaphysical structure and inner essence or act as proverbial 'handmaidens' to such a structural essence from a subordinate standpoint - one that some would regard as embodying civility as opposed to culture, and without which there can be no higher culture.

 

Copyright © 2017 Centretruths Digital Media

 


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